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Important Editorial Meeting... Yeah, right!

4/17/2015

2 Comments

 
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As many of you will know, my books are formatted, uploaded and published by Hilltop Press. This entity is, in fact, my very good friend, Jonathan Hill, who also designs my book covers and undertakes the onerous task of creating the paperbacks for me. I have referred to him in the past as my Technical Support Officer but he is so much more than this. He was one of the people who encouraged me to write longer fiction and through his efforts, often time-consuming, he is my enabler.

Last Saturday I had the great pleasure of meeting Jonathan in the flesh rather than on book forums and in email correspondence. We talked a tiny bit about our writing but mainly we laughed and enjoyed one another’s company. If there had been no time constraints, we’d probably still be talking. You could draw up a long list of our differences but the things we share – attitudes, ideas, sense of humour – are greater.

We all need someone to watch our backs and Jonathan and I do this for one another. It wouldn’t work for all writers but we share our ideas, before, during and after the writing process. We line-edit and proof read for one another and occasionally make editorial suggestions of a greater magnitude. It’s often said that writing is a lonely job but it really helps to have someone to share the thoughts and ideas with. Jonathan is an intelligent perfectionist and that’s exactly the kind of person you need keeping tabs on your wayward witterings. Mainly, however, we prop up one another’s flagging egos!

The reason this works so well was evident from those flying few hours last weekend. Quite simply, we’re good friends and we get on well. To work cooperatively to this extent requires a high degree of mutual trust. Jonathan publishes for me so my royalties go into his account. He orders paperbacks for me so I pay him for those, less my royalties. It wouldn’t be a successful partnership if one suspected the other of less than total honesty – both in terms of editorial comments and of financial arrangements. He does drive a rather nice car though…

Thank you Hilltop! You’re the best.

Jonathan himself writes comedy, for example, the Maureen stories, and darker, thought-provoking fiction like FAG which tackles bullying and homophobia in a 1930s boarding school. His latest publication is Pride, currently on his website's home page. It's a coming-of-age book about a gay man finding himself despite difficult family circumstances. Jonathan is currently working on a couple of thrillers which are shaping up very well (privileged information!). He combines imagination and technical expertise to produce books I never fail to enjoy reading.


2 Comments

A Point of View

4/8/2015

5 Comments

 
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Whenever we tell a story, we tell it from somebody’s point of view. It could be the main character’s. ‘I did this.’

If we choose to, we can tell it from several points of view. If this is a third person narration, we need to make sure we give these separate consideration – their own chapters or sections of chapters – or we weaken the reader’s connection to the story by making them wonder whose head we are in. It’s a rookie error and I fell into it when I began writing but fortunately I have friends far more experienced than I am who dug me in the ribs before I published!

I’m not considering here the use of the third person omniscient – a kind of ‘eye of god’ viewpoint, where the narrator knows everything, all the characters’ motivations, thoughts etc. With this mode of narration we would not hear thoughts in the characters’ own voices. It takes a step backward.

I’m looking currently at the idea of telling a story – the same story – from two (or more) characters’ points of view. It interests me to think how different they might be. For example, if you write down a description of yourself, both in physical terms and in terms of your character and personality, then ask several people you know to describe you, it can give startling results and potentially dent a few friendships! One person’s statuesque is another person’s overweight. One person’s caring and interested is another’s nosy and inquisitive. It’s all in the point of view. Would we even know that it was the same person being described?

I find myself wondering how long it would take a reader to make a connection between two points of view. When would we realise we’d been reading about the same thing? Because I’m thinking of a first person narration, in each case, we only know what he or she knows. Makes you think, doesn’t it? 

5 Comments

    Author

    Kath Middleton, author of Ravenfold
    Message in a Bottle
    Top Banana
    Long Spoon
    Souls disturbed
    Stir-up Sunday
    Beneath the Ink
    The Novice's Demon
    The Flesh of Trees
    The Sundowners
    The Angel Monument Muriel's Bear
    Tales from Daggy Bottom Becca.
    ​Through His Eyes
    ​Contributor to Beyond 100 Drabbles
    ​Criminal Shorts
    ​Part-author of Is it Her?



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